For The Good dinosaur, I supervised the set modeling efforts of the film. We wanted to capture the full scope of the vast American Northwest. The goal was to utilize the fantastic variety of landscapes the region offered, to make Arlo's journey a truly epic adventure. Ranging from the Jackson Valley, the Tetons, to the amazing geysers and waterfalls in Yellowstone, to the the grasslands of Montana and the mesas in Wyoming’s Red Desert. Below you can find some of my personal contributions to the film.